Grab a partner and hold tight!The Reefs of Time have taken a sharp left turn. My long-time publisher, Tor Books, has declined to publish it, sight unseen.* This came as something of a shock. The reason given is that it’s been too long since the last book—which is certainly true.
Fear not—the project is not grounded! But it has changed direction abruptly. I will publish it through my own imprint, Starstream Publications, in cooperation with Book View Café. While at first glance this seems like a setback, I choose to regard it as a blessing and an opportunity. I’ll get the rights back to the earlier material, and can now control the entire series, top to bottom. And I can publish the new work the way I want.
It does mean I have a lot of work cut out for me, and I don’t just mean publishing Reefs. Before the new book can come out, I need to have all the first four books available in new print editions, so that new readers can start at the beginning and read the whole story. These books are already available in ebook, but many people still prefer print. And then, of course, I need to do all the production of ebook and print book on the new novel—including cover design.
I have hired an assistant for the promotional efforts. I have called on artist and writer Chris Howard, who has already done two covers for me, to outdo himself. Various of my colleagues, both in and out of Book View Café, have stepped forward with offers of help. It’s been amazing, really. Still others have offered strong encouragement, including some terrific authors who have been dropped by traditional publishing and gone on to do exactly what I’m doing, and done quite well at it.
This all happened suddenly, and it’s too soon to have a realistic time frame sketched out. But my goal is to have the new work out in time for the World Science Fiction Convention in Dublin, in August.
Damn the torpedoes! Full speed ahead!
*This might seem odd, since I’ve been working on the book with my editor for about eight months. But he’s working on a consulting basis for Tor, and it was only when the books were ready to go into production in-house that the editorial oversight team at Tor said no. I’m not taking it personally; in fact, they’re settling graciously, and unlike many authors I’ve known in similar positions, I’m getting all my rights back without a fight. It’s an amicable divorce. There are no hard feelings on my part.