Further Notes from the Creative Front

Retreat, Day 4. I’m feeling a bit more like my old self, don’t cha know. And I have, in fact, figured out a couple of important key points about the new story that had been eluding me. Which I think will help make it a story worth telling. I think.

Here are a few more pix. Yesterday, I biked the 6.5 miles to this railroad lift bridge, which was great. Then I biked back, into a stiff wind, which just about put me 6 feet under.

Today, I repeated the trip, except I drove to a park only 1.5 miles from the bridge, and rollerbladed the rest of the way. And then bladed back (into the wind, of course), which just about kilt me.

Cape Cod Railroad Bridge

I must either stop doing this or get into better shape. I rewarded myself with a gentle stroll along the Sandwich board walk down to the bay. After first passing this sign.

Okay, here I am at the actual shore.

I have to admit, I feel a little guilty enjoying myself like this, knowing what folks out west are going through. Oh well, tomorrow I head home!

In the Creativity War, Sometimes You Need to Retreat

Even before the pandemic hit, I was having trouble getting traction on the new book. Lots of notes, more than a few false starts. Feeling like a blind badger trying to find its way through unfamiliar territory. Since we entered Covid-world, it’s only gotten worse. I’m sure you all have your own reasons why it’s hard to get things done these days. Add to that a degree of discouragement over how hard it’s been to get Reefs / Crucible of Time noticed within the SF readership, and the result has been a creative malaise that I’ve found very difficult to shake.

Allysen to the rescue. The moment certain outside stressors let up enough to allow it to happen, she seized the proverbial bull by the you-know-whats and made the call to get me a retreat-spot on Cape Cod. Sending me kicking and screaming, that sort of thing.

And now I’m here in Sandwich, near the sea, land of great bicycling and even greater seafood. I’m loving it. Her instructions were explicit: “If you can write, that’s great. But you are not going there to get writing done. You are going there to shed all this and find yourself again. You are going to rediscover what it means to you to write a book, and why you want to do it.”

So, here I am. Too soon to be sure, but from preliminary signs, I think it might be working. (And I did write a bit last night.)

Here are some pix from the motel and the Cape Cod Canal bike trail.

CapeCodCanalside bike trail sundown
Sunset over the Cape Cod Canal bike trail.

 

Coast Guard, heading out toward Cape Cod Bay. I’d like to have one of those boats, tough and seaworthy. I wouldn’t paint it gray, though.

 

Duck-mascots at the motel.

Proof

In case you wondered if I was doing any actual writing down here on my writing retreat, here’s your proof. Here’s a sneak preview of Chapter 68-ish of The Reefs of Time! I’ve been wrestling with this chapter for a while now, trying to make this bit of the story, especially the character interactions, come out right. Writing about people is hard! Especially when the people are aliens.

I’m working here in Scrivener. The text in red is notes to myself. The text in blue is first draft material that is probably on its way to the cutting room floor, but still might have bits I want to keep. The text in black is the real thing, but that doesn’t mean it won’t also wind up on the cutting room floor.

I wish I could say that all the thorny parts of the writing are falling away in the face of the natural beauty here on the Cape. But alas, it’s fighting back. Evil is never vanquished for long.

Okay, back into the fray!

 

Retreat!! (To Write Again Another Day)

posted in: writing retreats 3

It’s been too long since I’ve gotten away for a writing retreat, but that’s where I am now! I’ve returned to my favorite locale on Cape Cod for the purpose, where the seafood, the local beer, the ocean, and the salt marshes all come together to create a great environment for unwinding and thinking. I’m holed up at a lovely Airbnb spot (hosted by a writer!), in a house dating back to the 1700’s. My directions for getting here involved looking for a green dragon out front. I was peering in the dark for a bronze or wooden sign. This is what brought me in:

I wasn’t expecting snow, though we’re in a cold snap right now. But I saw this outside the window this morning:

And this when I went down to the beach after brunch:

And the marina, where the police, Coast Guard, and fishing boats are the only vessels still in the water:

In the past, I’ve usually biked or roller-bladed along the Cape Cod Canal, starting near here. This time… uhhh, no.

Writing as an Act of Faith

As I said in my last two posts, I’m on a writing retreat to work on The Reefs of Time. There’s an interesting faith component to this retreat. While the act of writing is almost by definition a leap of faith (Will this book I’m spending years writing actually turn into something good?) there’s a little more to it this time. As part of my church’s annual Leap of Faith experiment during Lent, I have been praying for a creative breakthrough, and also in particular that my writing wouldn’t just sell, but would touch readers in meaningful and uplifting ways. I mean, really, if it doesn’t do that, is it worth all the work and mental anguish? (Yes, aspiring writers, sometimes it definitely feels like anguish.)

Well, on my first night I settled into a comfortable chair with my laptop, in front of a crackling fire (I have a really nice room at this B&B), to begin writing new material. Not moving stuff around, not taking notes, but doing the hard thing: new stuff. No sooner was I settled in than an email came in. Really, I should have been ignoring emails at that point, but I caught out of the corner of my eye, in the little notification window, something about The Infinity Link. Now, The Infinity Link was one of my early novels, not much noticed nowadays, but in my writing career it was a breakthrough novel in many ways. (Not the least of the ways was that it started small, grew large, and took me bloody forever to write—not unlike the book I’m writing now.)

So I read the email. It was from a reader new to my work. He’d found The Infinity Link in a used bookstore a while back, and read it. He’d just read it again, this time via the Audible audiobook. And he was writing to tell me how profoundly the story and some of its images had touched him—and he just wanted to let me know, and to thank me for writing the book!

Before answering the email, I sat there for a few moments, dumbfounded. I don’t know how you would take it, but that sure felt like an answer to prayer to me.

The writing came easier for the rest of that night.

Two Views of My Novel

I found this rock on the first beach walk of my retreat, a sea-scoured nugget of quartz. It seemed to me a perfect metaphor for my first draft: a gem (or crystal, anyway) in the rough, all of its facets and inner beauty temporarily concealed. I probably won’t polish the crystal, but I will polish the novel. (In fact, I’ve made good progress on a couple of thorny problems while down here.) So, here are two different views of my work in progress:

And while I ponder the book, here’s the Landshark scanning the sea for signs of its marine brethren:

First Writing Retreat of 2014

I’m on Cape Cod for a few days, to clear my head and try to get some traction in the rewrite of The Reefs of Time. I’ve got the whole book loaded into Scrivener now, with notes all over the place, and Scrivener has already proved its usefulness in letting me move the chapters of different subplots around like chess pieces. I think I’ve got them lined up the way I want them, though of course I might feel differently as the rewriting proceeds.

Part of what I love about coming to the Cape is a chance to walk along the beach and the dunes, and refresh my brain with ocean air. Whenever I do that, I seem to see patterns in nature that somehow connect with what I’m writing. The tide coming in over the sand, for example, creates little ephemeral rivers that remind me of the starstream, a cosmic structure of my own imaginary design which figures prominently in the new book. (See From a Changeling Star and Down the Stream of Stars for more about the starstream, which was born of a supernova and a long cosmic hyperstring.)

I’m not sure what these vistas of sand dunes remind me of, but I felt strongly that they symbolize something in the story I’m writing. I guess I’ll find out what, later.

In case you think I just stole these pictures off the internet, here’s one of me standing where the dunes give way to the beach and the water. (Would you trust this guy with your daughter? Hmm.)

How about this guy? (He claimed to be rollerblading. But it was way too cold to be rollerblading. What was he really doing?)

Writing Retreat Report

This retreat has been one of the most productive ever. I’m getting good pages written every day, and more importantly, I had a conceptual breakthrough that showed me what I was doing wrong in several chapters as we approach the end. The realization meant I had to back up and go at those chapters differently, but that’s how these things go sometimes. This change will affect how I write much of what is to follow. I feel so confident of this that I’m going to give you a sneak look at a crucial scene near the end of the book. Here it is. Don’t tell anyone what happens, though. This is probably about 850 manuscript pages into the book.

I’m also getting outdoors and exercising—alternating between rollerblading and biking on some of the excellent bike trails around here. I rode for the first time on the lovely Cape Cod Rail Trail, which winds through the central part of the Cape. It was on this ride that I saw my dream setting:

House by a lake (okay, a pond), with private floatplane drawn up to the shore. Does a dream house get any better than that?

Several times now, I’ve taken to the Cape Cod Canal bike trail, which is about the most scenic and relaxing afternoon/evening outing ever. It’s also an outlook of choice for the Cape Cod Central Railroad’s excursion trains. Here’s where they stop to turn the trains around for their return to Hyannis. And by that, I mean that they uncouple the engine from the front and take it around and attach it to the rear, making it the new front.

Here they are, hitching it up.

And away they go. I don’t know what that E-unit locomotive is doing on the back end. It looks like it’s acting as a booster. But I wouldn’t have thought the train long enough to need it. Anyway, it’s a nice-looking engine, grumbling farewell as it moves off.

I didn’t think until too late that I could have taken a nice movie of its departure. Oh well, maybe next time.

Off to Do Some Writing

By the time this posts, Lord willing, I’ll be on Cape Cod beginning another writing retreat. Among the things I like about the Cape, besides the chance to leave daily cares behind and focus on my book, are the great seafood, local micro-brews, and wonderful bike paths for exercise, fresh air, and positive reinforcement for making progress, whether it’s getting words on the page or thinking through some stubborn plot or character problem. This time I’m taking rollerblades and my recumbent bike. I hope to have good things to report, a few days down the line.

Nature’s Reset Button

Amazing how the writing mind can bounce back with a little time away, and some exposure to nature.  The last two days have been great.  Here are a few pix I took of, and around, Quechee Gorge in Vermont.
That bridge you see way down is Vermont Rt. 4, but was originally the bridge for the Woodstock Railroad. 
Downstream of the gorge. 

Another shot downstream, but this one with accursed Japanese bamboo weed in the foreground.  I hope it hasn’t taken over by the next time I visit. 
Forest along the gorge.
This sculpture replicates the movement of an eagle’s wings when maneuvering in a steep bank prior to diving.   If you walk between the two bars and glide your hands along the metal with arms outstretched, your arms move in a reproduction of the eagle’s wing motion.
  
A cool wind sculpture near the nature center, caught in three different positions. 

And now I head home, with hopes that I can keep some of this lodged in my forebrain for a while.

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