Oh, sorry—talking to myself. Bad habit. But it seems I’ve talked my way into an actual Double Deal. Audiobook and ebook!
The audiobook of Neptune Crossing, narrated by Stefan Rudnicki (think God gargling boulders), is on sale right now in multiple outlets! It’s $4.99 at Chirp, Downpour, Apple ($3.99 at Apple), Google, and Kobo—limited time only! It’s a great recording, and I doubt you’ll ever see it again for a price this low. Do you want to miss this? Of course not.
For you ebook readers, my omnibus volume The Chaos Chronicles: Books 1-3 will be going for the slasher price of $1.99! This is an international Bookbub special, and the email announcement will go out on Saturday. But keep an eye on those prices, because the way the logistics works is, you have to drop the prices a few days early. So you never know.
Summer reading, folks! These prices are good through the end of Worldcon.
With this brand-new print edition of Neptune Crossing, the complete set of The Chaos Chronicles (to date) is available in matched format and design. The previous edition was in a 6×9 inch trim size, while for the rest of the series, I chose 5.5×8.5 inch trim. I chose the smaller size because it feels better to hold in the hand (according to my crack test team), is easier to slip into a bag or backpack, and (I felt) looks a little more professional.
Choosing a trim size is a trade-off, because the cost of printing is based on the number of pages, not on the size of the pages. So a smaller trim size means more pages, and therefore higher cost to print, and naturally, higher sticker price. But the difference was only a dollar or two per book, and I decided it was worth it.
But that’s not the only change. The interior is completely reset, using a font called Merriweather for the main text, which I first used with The Reefs of Time. I find it attractive and readable, and also fairly compact, which helps to minimize the page count in my long tales.
On top of that, my crack cover designer, Maya Kaathryn Bohnhoff, redid the titles and byline with a beveled look suggestive of embossed designs, used by most publishers on books they really want to sell. And I’ll admit it! I really want the books to sell! (But you knew that, right?)
Anyway, I’m pleased, and I hope you are, too. I’ve been noodling over the question of how I might sell autographed complete sets online, which I would like to do. (Without the administrative headache of sales tax across different states, etc.) Anyone out there have a good idea?
This is only going to run for a couple of days, so look sharp! As Bookbub readers already know, I’ve marked down The Chaos Chronicles, Books 1-3, to the ridiculously low price of $1.99 in all major ebook stores! That’s three full novels in collector-quality DRM-free ebook binding for less than the price of a decent chocolate bar!
Neptune Crossing, Strange Attractors, and The Infinite Sea, all in one volume. It would make a terrific Christmas, Hanukah, or Solstice present for that e-reading loved one!
(This omni edition is regularly $8.99, which is already a supersaver price for what we all hope will soon come to the screen as an HBO miniseries! Or maybe SyFy.com! Or Netflix Original! Or Amazon Prime! Or one of those, for goodness’ sake. Come on, all you producers hungry for new material. What are you waiting for? Make an offer!)
This really will end soon, so don’t wait. And please, if you like it, consider posting an unbiased review at Amazon, or Goodreads, or any of the other stores! You have no idea how important those reviews can be. Thanks in advance!
Call this my White Sunday sale. (Get it: White? Snow? Clever, no?)
Update: I’m happy to say that this sale is going very well! Thanks to everyone who bought a copy or passed on the word!
Important heads-up for my friends! Did you know that if you buy (or own) the Kindle edition of Neptune Crossing, you can add the Audible version for practically nothing? That’s the audiobook narrated by the amazing Stefan Rudnicki that I told you about. I forgot to mention it until now—but it’s true! I must be getting thickheaded. So I’m going to make it up to you. Starting this moment*, and for about a week, Neptune Crossing in ebook is just $.99. (If you already have the Kindle edition, maybe you could tell a friend?)
Think what you’re about to spend on shopping for the holidays, and you’ll quickly realize what a steal this is—the ebook for $.99, and the audiobook for $2.99 more, which is an incredible steal. (Audible’s regular price is $24.) It’s Whispersync enabled, so you can go back and forth between the ebook and audiobook without losing your place. I’ve listened to the audiobook, and it is every bit as good as my publicity engine has made it out to be. Please don’t miss this opportunity! You can get the ebook deal in almost all stores, but the audiobook deal is only via Kindle. (You don’t need to own a Kindle; the Kindle app on other devices works very well.)
By the way, I will be eternally grateful for everyone who buys the audiobook. Not so much for whatever denarii trickle my way, as because the fate of the audiobooks of the rest of the series hangs in the balance here. Skyboat Media and Stefan want to record them, but they can’t unless this one proves itself in the market. (And if you buy it, I’d be most grateful if you’d leave an honest review encouraging others to give it a try.)
So please — go out and make me grateful, people! Thanks!
*Actually the Bookbub promo email went out yesterday, but it seemed crass to blog about a promotion on Thanksgiving Day. I hope you had a great one.
I just learned of this: Downpour.com, the outlet store for Blackstone Audio, is running a huge Thanksgiving week sale, with 50% off on audiobook CDs, and it looks like 40-60% off on downloads! I’m not sure, but I think it applies to all their audiobooks. If you’re a fan of the format, this looks like a fantastic deal.
My own Neptune Crossing is 50% off the CD and 60% off downloads. (They also have an option to rent downloads.) I do not know how long this sale will last—I was told it’s a Black Friday sale, but it’s already going—so if you’re interested, don’t wait too long!
(This continues the story of my journey to an audiobook of Neptune Crossing, begun in yesterday’s post. If you haven’t already read that, start there.)
After several failed attempts at putting The Chaos Chronicles into audio via podcast, I was metaphorically trapped and rudderless in the great clouds of Jupiter. I gave it a rest for a while.
My focus returned to writing. Audiobooks took second place to ebooks. I joined Book View Café, a marvelous cooperative publishing venture of several dozen veteran authors, including some highly respected SF writers. It was a smart move. I was doing my ebooks in community now, not just on my own.
And suddenly a path broke open in Jupiter’s clouds! In a remarkable breakthrough, a resourceful BVC member got us a distribution deal with Audible: We had a first-rate list of books, and they would make audiobooks of pretty much everything we offered them! They took my two short story collections, which was all I could offer at the time. I didn’t have the rights to my remaining books. I wondered if I could get just the unused audiobook rights back. I asked. And asked again. For two years.
I was never told no, just that so and so was away, or on leave, or… silence. Finally, one day, word came through: They weren’t just reverting the audiobook rights of certain books; they were reverting all rights. The books were mine again, to do with as I pleased. Good-bye, Jupiter! BVC and Audible, here we come!
This is going to be great!
And perhaps it would have been—if it hadn’t come two weeks too late. Audible had changed their policy. They would not be adding these books to their list. Nooooo! We were free of Jupiter, but on a slingshot trajectory into the endless void.
My only option seemed to be to pay a narrator and do the book myself. But I didn’t have the time or money. I grew ever more discouraged, as all the planets we knew dwindled in our viewer.
And then… something unexpected twinkled on the scanner: Skyboat Media, Stefan Rudnicki’s recording company. I already knew and loved Stefan’s work narrating other books. His voice is deep and resonant, with the gravitas and character of James Earl Jones. His name would have been at the top of my request list. But there was no way I could afford to hire him and make an audiobook on my own dime.
Eventually, I set aside my discouragement and sent Stefan an email: Would you be interested in looking at a couple of my books and telling me what you think? To my delight, he got back to me right away. He was interested. I sent him some ebooks. And a week later, I had his answer: He loved Neptune Crossing and wanted to narrate it. I could hear the enthusiasm in his voice. Further, he was offering a publication deal, with a modest advance and distribution through Blackstone Audio, a giant in the field. It would be in Audible and iTunes, as well—and all with one of my favorite narrators lending his voice to the story!
Did I mention that Stefan is a Grammy and Hugo winner for his narrations?
I did not have to think for longer than it took to pinch myself. The deal was struck, and soon Stefan was at work recording. And now the audiobook of Neptune Crossing is finished, and is live in all the major places where audiobooks are sold!
And you know what? This time, it is great!
If you like audiobooks, I hope you’ll give it a try. If you’ve never tried an audiobook before, I can’t think of a better place to start. If this goes well, the rest of the series will likely follow!
Today marks launch day for the audiobook of Neptune Crossing! Narrated by the Grammy-winning Stefan Rudnicki! I feel as if I’ve just discovered a planet. Or maybe traveled to one. It’s been a long journey—and I often thought there would be no audiobook at all.
Neptune Crossing is one of my best known works, and the beginning of my most ambitious series, The Chaos Chronicles. But a thousand years or so ago, when I first sold the Chaos series to Tor Books, audiobooks were the furthest thing from my mind. They had not reached anything like the popularity they enjoy today, and Audible, iTunes, and library downloads were just a futurist’s dream. Only top-selling books got the audio treatment, and while I had my appreciative and loyal audience, I simply did not fit that profile.
Time passed, and publishing changed. Indie-publishing happened. I started creating ebooks of my older titles, breathing new life into books long out of print. And I discovered audiobooks myself. What’s this? You can download audiobooks from the library? I loaded up my trusty Zune and started listening to books while I walked the dog. What a discovery! But why weren’t my books available?
I cast about for ideas. Some of my colleagues—Jim Kelly, for example—were building their audiences through podcast readings of their own work. I could do that, couldn’t I? I thought I was a pretty good reader. Okay, I had no studio, limited experience, and only a cheap computer mic. But I gave it a shot. I recorded the prologue to the forthcoming Sunborn.
This is going to be great!
And that’s when I discovered just how frigging hard and time consuming it was to get an audio recording right. I’d thought to release the whole of Sunborn chapter by chapter, podcast style. But halfway through the first chapter, I realized it wasn’t going to work—not if I wanted to do anything else in life, such as finish the next book. So, with deep regret, I pulled the plug on that idea. (However, my reading of the Sunborn prologue eventually got turned into a video for an arts festival, and you can view it on my videos page. I think it’s pretty cool.)
Once again, I was left in the wilderness, with no clear road to audio for the Chaos books. Or, to pursue the planetary metaphor, I was adrift in the asteroid belt, thrusters sputtering. My agent eventually sold some of my other titles to Audible. But I didn’t have the rights to The Chaos Chronicles.
None of this went unnoticed by my wife Allysen, who had worked in TV production. In 2011, she decided it was time to step up. We found inspiration in Bruce Coville’s Full Cast Audio, whose productions we had been enjoying as family entertainment. We would start at the beginning and create a full-cast amateur podcast of Neptune Crossing, to put online for free, using local talent! In our suburb of Boston, you can’t throw a rock without hitting a writer, artist, or actor. We put out the call. And people came forth—people with talent and enthusiasm, and willingness to help. One of them, Bob Kuhn, even had book narration experience.
This is going to be great!
We bought a decent recorder, borrowed a bunch of sound curtains, and turned our living room into a Saturday afternoon recording studio. Allysen directed, and I took the part of Bandicut. Sam played the quarx, Peter and John each took several characters, as did Judy, Lisa, and Allysen. Bob laid down the narration track. Others came in for shorter parts. We got most of the book in the can, as raw recording. We began logging takes.
And then… Allysen got a new job, a demanding one. Someone else’s work schedule changed, making Saturdays a problem. We were running ourselves ragged. It was taking a toll on my writing. I undertook the sound editing… and rediscovered just how time consuming that job was. Finally we called a hiatus. I had a book to write! Allysen needed to focus on her new job. The hiatus stretched. It was maybe a year before we realized that this project, too, was something we could not finish, not now, not without killing ourselves. We’d gotten out of the asteroid belt, only to be trapped, adrift and blind, in the clouds of Jupiter.
Or Stefan Rudnicki’s interview with me. Skyboat Media has just posted a conversation I had via Skype with Stefan Rudnicki, the narrator of the forthcoming audiobook of Neptune Crossing. Stefan asks me some questions about how I wrote the book, and how I write in general, and I did my best to answer.
Technical glitches prevented this from being a video interview, but I probably look better in your imagination, anyway!
How’s that for a mingling of formats? Skyboat Media, producers of the soon-to-be-released audiobook of Neptune Crossing, has put together a short video trailer, showing Stefan Rudnicki at work reading the prologue, from the quarx’s point of view. It’s short, and it’s nifty. And it came out just in time to be my second big birthday present, after the discovery of Proxima b, the potentially Earthlike planet circling Proxima Centauri. Here it is:
Speaking of video, I did a Skype video interview with Stefan today, which was great fun—actually our first “face to face” meeting, if you count videophone as face to face. I hope we get a chance to meet in person one of these days. I’ll let you know when that interview goes up.
At last you can listen to a sample of the audiobook of Neptune Crossing, read by Stefan Rudnicki! I’m thrilled, and increasingly eager for the September 6 launch of the audiobook. Not that I want time to go by faster! Time is moving fast enough already, thank you! But I’m really psyched about this launch. Click the button to listen: