For something a little lighter, by which I mean utterly silly, try The Temporary Magic Series, by Craig Shaw Gardner. This tale concerns one Lenny Hodge, a young man of peculiar talents—who goes to work for an even more peculiar temp agency, Terrifitemps, which quietly controls the world. Pitted against the evil Fu, Lenny must join forces with the likes of a swami, a vampire, a werevole, and Bob the charming but annoying magic horse. If you liked Craig’s hilarious Ebenezum series about a wizard who’s allergic to magic, you’re sure to like this. Silliness for all ages.
Craig is another of my writer friends who did great with traditional publishing… until everything changed, and suddenly he found himself without support from the big city. Like many of us, he’s been working on bringing out his backlist in various formats, including ebook, audiobook, etc. Rather than going indie, he opted to go small press, and Crossroads Press has been doing a fine job releasing his old work and his new. In fact, this book came out for about one week from a mainstream publisher, who didn’t seem to know what to do with it; and now it’s back, from Crossroads.
It occurs to me that I’ve probably told you about these books before. But that was a while ago, and a good recommendation never gets old!
Speaking of young adult science fiction, here’s a series you really should read, whether or not YA is your thing, or for that matter, science fiction. It’s a parallel worlds story that treads the boundary between young adult and adult fiction (the way Harry Potter did), which means I can heartily recommend it for both audiences. The Portal Series by Richard Bowker begins with Portal, published a few years ago, about two young men (boys, really) who find themselves in an alternate Earth, and entangled in an American civil war. That’s followed by the more recently published Terra, which takes one of the boys, Larry, to another alternate Earth resembling ancient Rome. Richard is currently writing a third in the series, Barbarica, and it’s even better. Also, I don’t think we’re in YA-land anymore.
Richard Bowker is not as well known to current audiences as he should be. He had a bunch of novels published by New York publishers, to good reviews. But somewhere along the way, traditional publishing failed him and he quit writing for a while. Then he returned, writing better than ever, this time indie publishing. And his new stuff is great! You owe it to yourself to give his books a try! Here are the two current Portal books:
One of the things we always struggle with as writers is knowing how much detail to provide in a given scene. Too little, and you haven’t given the reader enough of a sketch to complete the illusion. Too much, and you risk boring the reader, or depriving her of the chance to use her own imagination to fill in the picture. To make matters worse, the balance is different for every reader. You will never be able to please everyone.
What got me thinking of this was Heinlein’s young adult classic Starman Jones. I first read this book in a library hardcover as a, well, young adult, and certain scenes have stuck with me ever since. I recently downloaded the audiobook from Audible, and started reliving the story of a young man’s journey from vagabond to starship astrogator. (It holds up remarkably well, despite the basic premise—that starship jumps would be calculated at lightning speed with paper and pencil—now seeming ridiculous.)
Early on, there’s a scene where Max is running away from his no-good stepfather, and he risks hoofing it through a tunnel where ring-jumping trains blast by at supersonic speed. He makes it through by the skin of his teeth…
“He reached the far end with throat burned dry and heart laboring; there he plunged downhill regardless of the sudden roughening of his path as he left the tunnel and hit the maintenance track. He did not slow up until he stood under stilt supports so high that the ring above looked small. There he stood still and fought to catch his breath.
“He was slammed forward and knocked off his feet.
“He picked himself up groggily, eventually remembered where he was and realized that he had been knocked cold. There was blood on one cheek and his hands and elbows were raw. It was not until he noticed these that he realized what had happened; a train had passed right over him.”
Those lines go by pretty fast, especially in the audio narration. But my first reading of them left an image scored in my memory: the magnificent silver ring trains, lancing through the hoops across the countryside; the peril of venturing too close, much less into the tunnel; and the moment of truth, when an unscheduled train blasts overhead, the concussion wave nearly killing our hero before he can get more than shouting distance from home. That scene took pages, in my memory—in my imagination. But the core of it was just one line: “He was slammed forward and knocked off his feet.”
Did that scene hold the same power for every reader? Maybe not. But maybe for some, it did.
Where does that leave the rest of us, following in Heinlein’s footsteps? Trying to decide, scene by scene, what to tell and what to leave out. Writing, rewriting…
In case you wondered what I was up to with the Reefs of Time rewrite.
Here’s a book that was up for the Norton Award. Though it did not win (Arabella of Mars, by David Levine took that honor), I really liked it. It’s a young adult SF novel called Railhead, by Philip Reeve—an author I know nothing about, except that he wrote this sparkling and imaginative far-future tale. In this distant future, trains form the backbone of interstellar travel. The difference between these trains and ours is that when these trains go through tunnels, they’re jumping through stargates from one world to another. Also, the locomotives are sentient. We learn about these trains through a kid named Zen Starling, who, caught between formidable opposing powers, must find his own path to what’s important. Written with a light and sure touch, this is one of those YA books that has good reason to appeal to any audience.
I especially like finding good science fiction in the YA offerings. Most of the Norton finalists tend to be fantasy. I like fantasy; don’t get me wrong. But I keep remembering that it was YA science fiction that first got me hooked on SF as a kid, and I sometimes wish that there were more of it being written today. Well, here’s one worth your notice. Railhead, by Philip Reeve.