Progress on The Reefs of Time, and More Thoughts on the Pain and Joy of Rewriting

With my completion of a challenging rewrite of Chapter 65, “To the Death,” I have updated my progress bar on the rewrite of The Reefs of Time. I am now 91% of the way to completion. Let’s hear it! Thank you; you’re a wonderful audience! I’m a little startled, though, to see that the total length of the book, in double-spaced manuscript pages, has grown to 1299! Yow. That’s one big stack of paper!

This is what happens, sometimes, when I am rewriting, and cutting and trimming, and trying to make it all tighter, leaner, and clearer. Because sometimes rewriting for clarity means you need to add detail and texture, or even new scenes—not because you want to compete with Stephen King or George Martin for length, but because sometimes that’s what the story needs to make the action clearer, the motivations more palpable, the inner logic sounder, or the emotions more powerful.

It’s unnerving, because all this time I’ve been rewriting (years!) I’ve been aiming to make the book leaner and tighter (tight buns and abs!) and thus—I was hoping—shorter. And in fact, I’ve cut a lot from these pages. Lots and lots–zzzzzt, gone! Despite those cuts, the book has grown from 968 manuscript pages in the first draft, to 1299 pages in the second, or from roughly 223,000 words to 262,000 words.

By comparison, Sunborn is 144,000 words. The Infinity Link is 180,000 words. Eternity’s End is 224,000 words. Those were all pretty big books. So I guess this one is honking big.

So, what, am I failing at my job? No, I hope not. Because you know what, I’m starting to think this might be a really good book. Perhaps you’re not supposed to say that about your own book. But if at some point, you don’t start to feel that kind of burn, you may be in the wrong profession—or at the very least, you’re not having enough fun. I wasn’t so sure what I had when I finished the first draft, because I was aware of many, many thorny issues marked “Fix this in rewrite.” Usually when I add that notation, it means I have no friggin’ idea how to fix it, whatever “it” is. It just means I know there’s a problem.

And the solutions come slowly, and sometimes involve days of circling the delinquent chapter, trying to find the pivot point that will make the plot work, or the character spring to life. Often it involves asking What is this chapter here for? What happens that makes it important? This can be a troubling time in the life of any chapter’s rewrite. Because sometimes it seems to call into question the entire book. If this chapter doesn’t make sense, none of it makes sense, and I’ve just wasted ten years of work.

But slowly or not, the solutions do come if you just keep at it. And as I’ve ironed out one problem after another, after another, and another, I’ve found myself developing an attitude about this book. A remarkably positive attitude!

I’m feeling it particularly after finishing this chapter, currently numbered 65—in which, by the way, someone we care about dies. My problems in rewriting it weren’t about the death itself, but about the events leading up to the death. They just didn’t make sense, even to me. I’ll reveal here that parts of this book get pretty cosmic and space-time reality-stretchy—a favorite theme of mine—and this chapter is one of the most like that. It’s a kind of narrative I really enjoy when it’s well done, and groan miserably over when it’s not. A couple of weeks ago, I was doing a lot of groaning. But then, bit by bit (or Bird by Bird, for you Anne Lamott readers), I found my way through it. I think I sorted out why it wasn’t working and reshaped it so that now it does. And I think it carries a pretty good punch, or at least it does for me. I guess I’ll know more when my writing group has looked at it.

It occurs to me as I write this that NaNoWriMo (National Novel Writing Month) has just kicked into gear. Go, all you writing-heads, write those stories! And if it doesn’t feel like it’s coming out right the first time, just remember, rewriting is most of the fun! That’s where the gold starts shining through.

 

 

Hitting a Wall Writing?

Writing can be so frustrating. You start out with a brilliant idea, and you fling yourself into it with abandon. And you write up a storm. And after a while…

Jim C. Hines says exactly what I feel. Happens to me every damn time. Here’s what he wrote:

I decided to talk about that part in my process where the novelty and shininess has worn off, and I realize my outline is broken, and suddenly it feels like the story is crumbling in my hands, and what was I even thinking???

It happens with pretty much every book I write, usually around 1/4 to 1/3 of the way through the first draft.

Here’s an excerpt from the pep talk:

This is the time in Jim’s writing process where, like Charlie Brown kicking at that elusive football, I lose my footing and end up flat on my back, staring into the sky and wondering what the heck just happened.

My shiny new idea isn’t quite so shiny anymore. I’ve gotten lots of words down, but they don’t exactly match what I was imagining. And this next part of the outline doesn’t make any sense at all, now that I think about it more closely. Good grief, the Jim who was outlining this thing last month is an idiot. And now I have to fix his mess.

Everyone’s writing process is different, of course. You might zip through the entire month with never a doubt, never a stumble. (In which case I hate you a little bit.) But most of the writers I know, beginners and pros, hit a point at least once in every project, sometimes more, where everything feels like it’s falling apart.

[Read the rest on Jim’s blog. Or the longer version here.]

All I can say is, Amen to that. And to everyone doing this year’s NaNoWriMo, good luck, and write on!

NaNoWriMo Writing Tools Bundle!

NaNoWriMo (National Novel Writing Month) for 2015 is coming up, and I imagine there are a lot of writers who would enjoy another good book on writing or two. Or five. Or how about twenty-five, all in one bundle? It’s a great collection—and no, I’m not part of it.

Here’s the full scoop, which I’ve shamelessly lifted from the Book View Café blog:

BVC is delighted to be included in StoryBundle’s 2015 NaNoWriMo Writing Tools Bundle. Not only is our Brewing Fine Fiction anthology part of the bundle, so are two additional guides by BVC members: Writing Horses by Judith Tarr and Writing Fight Scenes by Marie Brennan.

Never heard of StoryBundle? It’s where you can get fantastic ebooks at one low pay-what-you-want price. DRM-free means you can read them on just about all the devices you own, no matter who makes it.

  • Pay the minimum $5 and get Brewing Fine Fiction plus five other great titles.
  • Beat the bonus price ($13), and get seven more books including Writing Horses and Writing Fight Scenes.
  • Opt into the 2nd tier bonus ($25) and get the 2014 NaNoWriMo bundle as well, for a total of twenty-five fantastic writing books!

Plus Bundle buyers have a chance to donate a portion of their proceeds to charity.  
National Novel Writing Month happens every November. Thousands of writers all over the world take up the challenge to produce a novel in a month.

This toolkit offers great advice from a multitude of seasoned professionals including Kevin J. Anderson, Lawrence Block, Algis Budrys, Kristine Kathryn Rusch, Dean Wesley Smith, and Al Zuckerman. Curator Kevin J. Anderson writes:

Here, to get you ramped up for the marathon, I’ve curated a baker’s dozen of instructional books on all aspects of writing, from craft, to productivity, to business, to career advice, to specific areas of expertise. Presenting, for the second year in a row, the NaNoWriMo Writing Tools StoryBundle: a massive batch of useful books that will help you survive—and thrive—during National Novel Writing Month—the full spectrum of useful information. You name your own price, whatever you feel this batch of books is worth, and part of the money you pay goes to help the supportive non-profit NaNoWriMo organization. 

I put together these books from the general to the specific, a treasure chest of books vital to your success—not only in writing your novel but in launching your long-term career as a successful writer. This is a toolkit, a drill sergeant, a mentor, and a cheerleading section, all in one.

For complete details and to pick up your bundle, visit 2015 NaNoWriMo Writing Tools Bundle.

Me again. I picked up my bundle last night. Limited time offer. What are you waiting for?