Frederik Pohl, 1919-2013

We’ve lost another giant—maybe the last of his generation of Golden Age science fiction. Frederik Pohl, along with Clarke, Heinlein, and Asimov, occupied a central position in my formative years as a lover of science fiction. More than any of the others, he kept growing in maturity and ambition as a writer—showing a burst of enormous creativity in his late 50s, with two of his finest books, Man Plus (1976) and Gateway (1977). I consider Gateway one of the top five books in all of science fiction, and I’m not sure what the other four would be.

I first encountered his work, I believe, in The Space Merchants, which he coauthored in 1953 with C.M. Kornbluth. (I didn’t read it in 1953; I was only four years old at the time. I started reading him in my teens.) I still have many old paperbacks of his earlier work on my shelf. Just scanning a list of his titles evokes all kinds of feelings of golden-age sense of wonder: Search the Sky, Gladiator-At-Law, Drunkard’s Walk (which I was especially fond of as a teenager because of the tastefully drawn naked woman on the cover), Starchild, Rogue Star, Turn Left at Thursday, Starburst, The Siege of Eternity, The Case Against Tomorrow….

And yes, the title of my own work in progress, The Reefs of Time, is a knowing echo of his The Reefs of Space.

Pohl did just about everything there was to do in the SF world. He was an editor (Galaxy magazine), an agent, a solo writer, a collaborative writer, a futurist, a columnist and blogger, a president of the Science Fiction Writers of America, and a SFWA Grandmaster. He was also a perfect gentleman, and a fascinating speaker. I only met him once or twice, but he treated me, a fresh upstart, with graciousness and warmth.

You can read more about his life and work at the New York Times and the Guardian.

I hope he’s enjoying a perfect view of the stars from where he is right now, perhaps sitting around a table with some of the other departed greats, in the observation lounge of a heavenly starship. Godspeed, Frederik Pohl, and thank you for all of the visions.

New Ebooks You Should Check Out — Richard Bowker

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My friend Richard Bowker was away from publishing for many years, prior to his recent resurgence in ebook. He is a fine writer, whose mystery/thrillers (Replica, Senator, etc.) earned him considerable notice when they were published by houses like Bantam and Morrow. The winds of publishing turned against him for a while, but in the last year, he’s returned with a vengeance, bringing all of his backlist into ebook, and publishing several excellent novels that his old publishers idiotically passed on.

His latest is The Portal, an alternate history of a New England that might have been, if a lot of things had happened differently. War between New England and Canada? Late 18th Century technology in the “present”? Like the Harry Potter books, this one has young protagonists, and can be viewed as either an adult novel or a YA novel. I was privileged to read it in manuscript, and am delighted to see it appear at last as an ebook and, still to come, a print-on-demand p-book.

Kindle | Nook

(Hm, doesn’t seem to be in the Nook store yet. Should be, soon.)

Why not take a ride into an America that might have been?

New Ebooks You Should Check Out — Craig Shaw Gardner

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My friend Craig Gardner, well known as a writer of funny fantasy (among other genres), has indie-repubbed the fantasy trilogy that made his reputation: The Ebenezum Series, concerning a wizard who is allergic to magic and his bumbling young apprentice, Wuntvor. The books are great fun, and recommended for young readers of all ages. I especially love how our heroes escape being eaten by a kraken. Here they are:

Kindle | Nook

Kindle | Nook

Kindle | Nook

You can even pre-order his forthcoming new book, Temporary Monsters!

Kindle | Nook

Kick back and have a little fun.

Pen-Ultimate Anthology!

A bunch of my workshop graduates have gotten together to do a very cool thing. They’ve published an anthology of some of their best short stories—and on top of that, all the earnings are going straight to a great cause: the SFWA Emergency Medical Fund.

Here’s how it happened:

The Earth formed, and the rocks cooled. Shortly afterward, Craig Gardner and I got started in our writing careers. Fast forward to a few years ago, when we ran a series of workshops called the Ultimate SF Writing Workshop. A bunch of talented new writers attended, and we all became friends, and many of them are now becoming established as published writers in their own right. We stay in touch through an online group, and get together at local conventions. At last year’s Readercon, one of them—I think it was Lisa (LJ) Cohen—said over dinner with the group, “Why don’t we get together and publish a collection of our best stories?” The crowd rumbled approval, and with that, the project was born.

Pen-Ultimate: A Speculative Fiction Anthology has just been published, a year later. The workshoppers (my workshoppers!) did all the writing, selecting, editing, cover art, book design, and ebook formatting. Craig and I wrote the intro and outro, but other than that, it’s all the work of these fine new writers.

Check it out!  The stories are great, and it’s only $2.99 in ebook. It’s also available in print for $8.50. Every penny earned is going to a medical fund that helps SF/F writers who have fallen on hard times medically and financially. What could be a better cause than that? 

I feel like a proud father, all over again!


Here’s where you can get it:

Paperback:
Amazon
CreateSpace

Ebook:
Amazon
Smashwords

Coming:
Barnes and Noble
Apple
Kobo

Damned Typos! (And Other Myths of Easy Ebook Corrections)

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I was barely home from my trip when I got an email from Amazon Kindle support, telling me that a reader had contacted them about two typos they had found in the (free) ebook edition of Neptune Crossing. Would I please correct them? Hell’s bells, I thought. There goes my day. And I was right.

There’s this widespread misconception that because ebooks are digital, mistakes can be corrected in a jiffy and the revised edition put up before your coffee has time to cool. Sounds good. And oh, how I wish it were true. Let’s see how it plays out in real life.

First, I checked the ebook, which exists in multiple formats, to see if there really were typos. Sometimes people mistake colloquialisms, or sounds, or alien words, or made-up words, or unusual usage for typos. Alas, the typos were real. They were mistakes, and they had to be fixed.

The first challenge was that I maintain multiple “master source” documents—Word docs that have all the latest corrections and styles and so forth. Docs from which new ebooks, or print-on-demand paper books, can be created. The reason there are several is that there’s different front and end material, depending on the store. For example, “Buy the next book in the series from the Kindle store,” with a link. Or from the Nook store. Each store allows links only back to itself, or to the author website. So when something needs to be corrected, it has to be corrected in all the master documents.

After the source docs are corrected, it’s time to correct the ebooks. In the case of epub books (Nook, iBooks, everything but Kindle), the easiest way to fix something simple like a misspelled word is to open the ebook in a program called Sigil, which lets you edit the underlying text and code. Do a search, fix it, rerun validation checks, and close it up again. Then test it in a few viewers to make sure you didn’t screw something else up while fixing the little thing. (You might be surprised how often this happens.) For a Kindle file, you can’t use Sigil, so it’s easiest to recreate the ebook from the source file in Calibre, another essential program. Then test, retest, etc.

Done? Time to upload the new versions. Easy, right? Maybe. About half the stores have changed the requirements for cover illustration size since the last upload, so you have to go back to your master cover images and hope you have a big enough one to meet the upgraded requirements. Oops, now you need to run the book through Calibre again to incorporate the larger cover image in the book. Then test again.

Time to upload (again). Kindle first, because more books sell there than anywhere else. Also, they also have the most sophisticated checking system. It now presents you with a list of possible typos. See the above list of things that are often mistaken for typos. Most the flagged words are just that. But you need to look at them anyway, to see. Okay, good, upload done. One store out of the way, now on to the next. Oops, Smashwords accepts epub uploads now, but gives a bizarre error from Firefox. Better try again, using Chrome. That works—but with about six other annoying little glitches that cause the upload to take an hour instead of a minute. The Nook store should go faster, right? Maybe, except they’ve changed catalog description requirements, so you have to fix those bits. Finally, Book View Café, which is a simple FTP upload. Yay!

Oops—wait. If the typos were in Neptune Crossing, then they’re probably also in The Chaos Chronicles Omnibus volume, which contains the first three books. Better check. Yes, blast it, they are. Repeat steps 1-60 above, with the omnibus. Go to upload.

The Kindle spell-checker flags something like 200 words, most of them as noted above. But wouldn’t you know it? It finds a real typo in Strange Attractors (Book 2), and two in The Infinite Sea (Book 3). Augghh! These books have been checked over so many times, how can that be? Nevertheless, there they are.

Go through it all again, fixing the typos in the omnibus, and then again in each edition of the individual novels. Check the results. What’s this? Why is the first line of Chapter 19 of Strange Attractors indented, while all the others are flush left? Wrong style applied to that paragraph. Frakkin’, frakkin’, frak. Go fix it. In all the versions. Be sure and get them all. Oh wait—I need a bigger cover image for this book now, too.

Repeat as needed. Try not to go mad.

Those two typos took an entire day, and I still haven’t finished with The Infinite Sea. When that’s done, there’s a typo a friend pointed out in Dragon Space. Aaaeeiii. 

Tell you what. The next time you find a typo or two in a book, please consider cutting the author (or publisher) a little slack. It’s harder than it looks to get rid of those things! (If you find more than a few, that’s just carelessness. Go ahead and give the publisher hell.)

Is Some Club Reading My Book?

Most days I sell between zero and a few ebooks total in the Barnes and Noble Nook store, a steady drip-drip-drip of sales. (I do better, thankfully, in the Kindle store, and even better for some reason in the Kindle UK store. Still, even there, sales have lagged in the last month or so.) But the other day, there was an abrupt spike in the Nook store: 19 sales for the day, almost all of which were The Chaos Chronicles, Books 1-3. The next day was less, but still better than usual. What’s up with that? I wondered, marveling happily. (I should note that, for many writers, these numbers would be reason for scowling, not smiling. But I was smiling.)

I still wonder what was behind it, but my best guess is that some reading club has decided to try my Chaos books, and they all ordered from the Nook store and not the Kindle store or Book View Cafe (and I wouldn’t know about the Apple/Sony/Kobo stores, because reporting is slow there). Is this true? Does somebody know? Or is it just one of those unexplainable synchronicity things?

Everyone* in my vast organization wants to know. And we hope that all the rest of you will follow suit, or encourage someone else to.

*My wife, and me.

Good Time to Buy an Ereader/Tablet?

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In case you haven’t seen the ads, Barnes and Noble is running a Father’s Day sale on their Nook HD (for high-definition screen) and the larger Nook HD+, marking both down significantly. The best discount is on the HD+, which is almost half off (from $269 down to $149). I’m going to get one myself, even though I already have a tablet, because it will be useful to have as a test platform for ebook formatting.

If you haven’t taken the plunge yet, this might be a good time.

Hugh Howey on Self Publishing

By now, most people interested in books and publishing have heard of Hugh Howey, a self-published SF writer whose eighth (I think) book Wool hit gold and became a runaway bestseller in ebook. It made a millionaire of the author, and led in the course of time to an extraordinary print contract with a major New York publisher, in which the publisher offered a large six-figure advance for print rights only, allowing the author to continue to mine his own ebook rights to the tune of six figures monthly.

Wool cover
[Deep breath, and expel the envy. All together, now…]

Anyway, Hugh Howey writes on Salon.com about his views of traditional versus self-publishing. It’s pretty interesting, although I don’t necessarily agree with everything he says. (For one thing, he doesn’t mention the role that traditional publishers play in helping writers, especially new writers, improve their craft and produce better books. Some say that that role is diminishing these days, but I think it really depends on the publisher and the editor.) Still, it’s hard to argue with Howey’s success.

I write this as I’m taking a break from working on my taxes, wherein I discover that I sort of seriously underestimated the effect my own improved ebook sales would have on my tax bottom line. Ow. I’m not remotely in the same universe as Howey, sales-wise. Nevertheless, last year was one of the best years I’ve  had in my modest career in terms of book income, and it was all from my backlist. The paradigms, they are a-shiftin’.

More Live Audiobooks!

Once again, I was surprised to discover that more of my books are up on Audible.com!  Five Star Rigger books were released in February. That’s Panglor, Dragons in the Stars, Dragon Rigger, Star Rigger’s Way, and Seas of Ernathe—all of the Star Rigger books except Eternity’s End.

You can see the lot of them on my author page, or go straight to the individual titles.  I’m still working with the Audible people to get the descriptions corrected (Panglor has the wrong plot description altogether), and not all of the sample buttons are working. But the books are all available. They’re also for sale in the iTunes store.

The titles that went up in October are all listed now as being enabled for “Whispersync for voice,” which means if you have a Kindle edition you can switch back and forth between reading the ebook and listening to the audiobook without losing your place.

Panglor audiobook

Dragons in the Stars audiobook

Dragon Rigger audiobook

Star Rigger’s Way audiobook

Seas of Ernathe audiobook

Off to Arisia

I’m heading off shortly to Boston’s Westin Hotel on the waterfront to spend some time at Arisia, currently New England’s largest regional SF/F convention. I’ll be on a bunch of panels related to writing and ebook publishing. Tonight at 10, the subject is “Self-editing your SF/F Novel” —self-editing being the first step in rewriting a manuscript, to be combined (preferably) with critique from trusted readers, followed by more revision as needed. I happen to have a self-edit checklist just for the purpose! (If you don’t catch the panel, you can always read my checklist at writesf.com—click the link for Rewriting.)

Tomorrow, I’ll be talking about “Punching Up the Action,” “Self-publishing” (particularly, from my point of view, as it relates to self-publishing one’s backlist), and “Plot and Structure.” If you’re in the area, come on down!

I’m also eagerly looking forward to seeing the art show. The artist Guest of Honor is Roger Dean, creator of all those wonderful Yes album covers (which were in fact one inspiration for my novel Panglor)!

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